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Explore the hidden relations between plantations in the Global South, where profits to build museums are extracted from, and museums in the Global North, where art from the plantations is held and academic scholarship is funded, in the six-part series Plantations and Museums.
The series follows CATPC members Matthieu Kasiama and Ced’art Tamasala as they travel from the battleground of the Pende rebellion to the museum that has the Balot sculpture in its collection in the United States, interviewing key thinkers on the sculpture and postcolonial discourse along the way.